Ana Popovic is widely regarded as one of world's very best female
guitar-players. Her new album,
Unconditional, was
recorded at the famous Piety Street recording studios in New
Orleans and is Ana's sixth studio release. It was produced by Ana
Popovic and Grammy Award winning producer John Porter. ''I recorded
in eclectic cities like Memphis and Los Angeles, but always wanted
to go to New Orleans to capture something of their rich musical
history,'' says Popovic (who was born in Belgrade, Serbia). ''I
loved being in New Orleans for a period of three months. I love
everything about that city - its vibe, spirit and optimism, and not
to forget, hospitality and kindness of the people. I think it
influenced the album in more ways than just musically.''
Popovic was recently honored to appear as a special guest at
B.B. King's German shows. Her previous studio release,
Still Making History made its way to #3 on the
U.S. Billboard blues chart for a total of 19 weeks. On 2011's
Unconditional, Ana truly is a guitar goddess -
illustrating a daring side on a powerful guitar record that
presents a soulful fusion of contemporary and classic blues. The
album features a representation of New Orleans' finest musicians
such as renowned slide guitarist Sonny Landreth, the amazing Jon
Cleary and David Torkanowski on Hammond B3 and piano, Calvin Turner
on bass and Doug Belote on drums. ''I was fortunate to have the
fabulous Sonny Landreth - my slide idol since my Belgrade years -
to play on the album, a dream come true,'' says Popovic. Also the
incredible harp player Jason Ricci makes a guest appearance.
Of the album's twelve songs, eight are originals by Popovic,
from which two are co-written by writing partner Mark van Meurs.
Also on the album are songs gleaned from the rich blues history
done by some of Ana's favorites, including Koko Taylor, Buddy Guy,
Otis Spann, Nina Simone and Sugar Pie DeSanto. ''The title
Unconditional,'' Ana explains, ''describes what I
feel on stage. That place is simply unconditional. It is magical.
It's just me and my guitar, notes, sounds and drum grooves. I let
the band lift me up, and I feed off of their energy. I hate to
think when playing. I only feel. Unconditional is how I stand
towards my music - it's mine, it's sacred, and it's with no
boundaries - absolute, definite. I tend to put everything I have
into it and don't let anything or anyone get in between, except the
people that truly inspire me.''
