Reviewing The Black Keys 2010 Top Ten breakthrough album Brothers,
Rolling Stone called the duo a two-man combo with a big-band mind.
That description seems downright prophetic now. With the
hard-rocking El Camino, The Black Keys fourth Nonesuch disc,
guitarist-singer Dan Auerbach and drummer Patrick Carney conjure up
an exhilarating, stadium-sized sound in collaboration with producer
and friend Danger Mouse. El Camino boasts a no-nonsense brilliance:
The pace is fast, the mood is upbeat, the choruses unfailingly
addictive made for shouting along, preferably in a large, sweaty
crowd.
A band already at the top of its game has gotten even better. And
The Black Keys have done pretty damn well so far this year, with
three 2011 Grammy awards for Brothers under their belt, an MTV
Video Music Award for Tighten Up, more than 850,000 copies of
Brothers sold in the U.S., and upwards of a million units
worldwide, plus innumerable licensing placements in film, TV, and
commercials. El Camino features one stand-out track after another,
such as first single Lonely Boy, Gold on the Ceiling, and the
surprising, acoustic-guitar-driven, tempo-shifting Little Black
Submarines. .
This record is more straight ahead rock and roll raw, driving, and
back to basics, says Auerbach. As Carney has put it, The Black Keys
respect the past while being in the present, and that formula has
made them sound like nothing less than the future of rock and roll.
While the largely self-produced Brothers, recorded at the famed
Muscle Shoals Studio in Alabama, had a more soul and blues-oriented
sound, El Camino often recalls the blitzkrieg-paced British-style
rock of the 1960s and 70s, post-Beatles and pre-punk: artists like
T-Rex, The Sweet, and Gary Glitter, along with the heavier swing of
such bands as Led Zeppelin and Black Sabbath.
The references are there, but the sound is very much contemporary
and utterly their own, equally informed by The Black Keys passion
for hip hop and R&B and bolstered by the atmospheric production
approach of Danger Mouse (a.k.a. Brian Burton), who was behind the
boards for 2008 s Attack & Release and collaborated with them
on the funky Tighten Up for Brothers. As Auerbach notes, "Brian
understands all the different kinds of music we're into. He's got
really great ideas about melody and song structure. For him it's
all about the song." Also rejoining them is consistently innovative
mixing engineer Tchad Blake, who Auerbach calls a genius with
audio, a complete wizard.
El Camino arrives just in time to serve as the ideal holiday gift
for The Black Keys rapidly growing fan base. It came together
quickly in an unfettered burst of creativity by the hard-charging
pair. They recorded these 11 tracks between tour dates for Brothers
at Auerbach s new Easy Eye Studio in Nashville, where he and Carney
have now relocated after years of working in their native Akron,
Ohio. The duo plans to embark on a six week European Tour at the
start of the New Year, with U.S. dates to follow shortly thereafter
including several arenas.
In a time of global austerity, The Black Keys work simply and
efficiently, with a minimum of tools and a wealth of ideas, to
produce the richest, fattest, coolest music around. Upon the
release of Brothers last year, Britain s Uncut magazine called them
one of the best rock n roll bands on the planet, and El Camino,
confirms that.
